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Edinburgh Fringe 2025: Storytelling PR round up, a huge thank you, Fringe show awards, and what’s up next this year

9 September 2025 by Ambrose Kelly

As ever, we were delighted to work with a roster of brilliant artists and shows this August for yet another non-stop Edinburgh Festival Fringe. Coming to us from all over the globe, our 2025 artists included expert comedians, international acrobats, experimental dancers, rising theatre makers, innovative new writers, skilled clowns, passionate musicians, world-class martial artists, cabaret stars, technological creatives, immersive storytellers – and everything wonderful and imaginative in between.

‘Score’ by Isaiah Wilson
(Kultur|lx Luxembourg selection 2025)
| Image credit – Léa Junet

Their shows took us to the heart of Palestine and its people; through the space-race and intimate stories of pregnancy loss; into the last launderette on the Isle of Wight; around the edge of a lonely swimming pool in Saudi Arabia; through surrealist imaginings of ‘Edutainment’ and a fisherman’s curious one-night tale of rare true love; towards living on Mars and futuristic immigration exam requirements; in amongst the seams of beautiful sung and spoken life stories; under the skin of electro-muscle stimulation and dystopian bodies moving in sync as one; and to sit down at a very special Burns Supper table with the historic Bard himself.

‘Is There Work On Mars?’ by Faye Yan | Image credit – Amy Lauffer Neff
‘The Genesis’ by Copenhagen Collective | Image credit – David Poznic
‘Stepping in…Spilling out’ by Mark Bleakley | Image credit – Tiu Makkonen
‘Cheese and Guava’ by Cênica, part of São Paulo Showcase | Image credit – Guilherme Di Curzio
‘Scott Turnbull presents… Surreally Good’ by Scott Turnbull | Image credit – Mel Butler
‘These Mechanisms’ by Christine Thynne and Robbie Synge | Image credit – Brian Hartley

2025 was a very busy year for our team – and we couldn’t be prouder to play a role in bringing so many wonderful stories to life on stage. Whether reuniting with old friends and returning artists, or building beautiful new multidisciplinary global connections, it is always a joy to see our offices brimming with life every summer for the world’s biggest gathering of performance, artistic companionship, and never-ending creative collaboration.

AWARDS 2025 – Edinburgh Festival Fringe

In Fringe-specific awards, we were delighted to see many of our artists smash it out the park across various accolades – including the Edinburgh Comedy Awards, The Scotsman Fringe Firsts, The Besties, and the Brighton Fringe Awards, and lots more.

‘Creepy Boys: SLUGS’ by Sam Kruger & S.E. Grummett
| Image credit – Mat Simpson

  • Edinburgh Comedy Awards – Best Comedy Show: Creepy Boys: SLUGS (nominated)
  • The Stage – The Fringe Five: PHILOSOPHY OF THE WORLD
  • Summerhall Arts – The Bragi Awards:
    Baby in the Mirror (First Round, Final Round) – Staff Pick Award
    Creepy Boys: SLUGS
    DELUSIONAL – I Killed a Man
    FLOAT
    No Apologies
  • The Scotsman – Fringe Firsts Award:
    Red Like Fruit
    PHILOSOPHY OF THE WORLD
  • The List – Festival Awards:
    Spirit of the Fringe Award: Pussy Riot: Riot Days
  • The Skinny and FEST – The Besties:
    Radgie of the Festivals (for Radgnesss): PHILOSOPHY OF THE WORLD
    The Super Power Award: Seltzer Boy
    The Genre Chaos Award: Creepy Boys: SLUGS
    The New Writing Award: No Apologies
    The Heart Award: Palestine: Peace de Resistance
    The Spooky Award for Spookiness: Elysium by Ghouls Aloud
  • The Mental Health Foundation Fringe Award: Troubled (nominated)
  • The Brighton Fringe Award for Excellence: Jonny Woo: Suburbia
  • Binge Fringe Black Performer’s Award: Blaze FM (shortlisted)
  • Fringe Theatre Awards – Edinburgh Fringe:
    Baby in the Mirror
    Homo(Sapien)
  • Musical Theatre Review – Pick of the Fringe: Driving in Circles (nominee)
  • The Seoul Arts Awards: The Genesis
  • The (ISH) Edinburgh Comedy Awards – Cassidy/Bowles/James Corden Award for Best Show: Laura Davis: Despair is Beneath Us (longlist)
  • Neurodiverse Review:
    Outstanding Visually Impaired Creative: Another Sight (nominated) and I Dream In Colour (nominated)
    ADHD Comedy Award: Palestine: Peace de Resistance (nominated)
  • The Asian Arts Award – Outstanding Young Performer: I Dream in Colour (Highly Commended)
  • Mervyn Stutter – Pick of the Fringe 2025
    Apocalipsync
    Dangerous Goods
    Delusional-I Killed a Man
    FLOAT
    Frisky’s Reshuffle
    Honest Fraud
    No Apologies 
    Ozzy Algar
    Pickled Republic
    These Mechanisms
    Different Party
    Hot Chips
    Palestine: Peace de Resistance (WINNER) 
  • Somewhere for Us – Fringe Awards
    Little Squirt
  • Edinburgh Horror Festival – The Spookies
    Elysium by Ghouls Aloud: Best New Writing – Runner-Up
  • The Popcorn Award: Jasmine Thien for I Dream in Colour (longlisted)

‘FLOAT’ by Indra Wilson and F-Bomb Theatre
| Image credit – Mihaela Bodlovic
‘PALESTINE: Peace de Resistance‘ by Sami Abu Wardeh, Counterpoints and Palestine Comedy Club | Image Credit – Zoë Birkbeck

September onwards…

‘Time Keeps The Drummer’ by
Fevered Sleep |
Image credit – Winnie Yeung

As we go into the final third of 2025, we’re excited to be working with some wonderful artists and performers. In addition to continuing our year-round projects and collaborations with friends, we’ll be working with Colette Sadler and FERAL Arts on Present Futures Festival Dundee (10 – 11 September), Shotput’s touring production of Enda Walsh’s Arlington (17 October – 8 November), Hercules the Bear by Tenterhooks (29 September – 29 October), bold new British musical Gwenda’s Garage by Out of the Archive Theatre in association with Sheffield Theatre (15 – 25 October), Harry Clayton-Wright’s Mr Blackpool’s Seaside Spectacular (6 and 8 November), Rhianna Ilube and Coney‘s touring game-theatre show 1884 (9 – 25 October), Kerry Wright’s tour and debut play Kailey (11 – 25 September), Fevered Sleep’s radical multi-genre durational performance Time Keeps The Drummer (touring 12 September – 12 April), and more.

That’s us for now…! If you’d like to work with our lovely team in the future (whether on year-round work or Fringe-specific shows) please do get in touch with Managing Director Miriam, Executive Director Emma, or Senior Publicists Ambrose and Polly.

Storytelling PR x

Filed Under: Blog, Current Projects, Storytelling News, Uncategorized Tagged With: Edinburgh, Fringe, Theatre, Update, What's on

Alfie Ordinary’s Living Legends

3 November 2021 by Emma Ainley Walker

Alfie Ordinary speaks with the Drag Artists who have defined, innovated, inspired and led the British Queer scenes’ activism and artistry in

Living Legends

A weekly YouTube series launching 15 November 2021

Brighton-based Drag Prince Alfie Ordinary announces Living Legends. Launching 15 November 2021, a series of interviews with pioneers of the British drag scene will be released weekly on YouTube.

The series of one-to-one interviews will feature drag artists of iconic status David Hoyle, Le Gateau Chocolat, Adam All, Dave Lynn, Lola Lasagne, Holestar and Son of a Tutu. Alfie will address their individual successes, from TV and Film work, community work, career longevity, taking their place on huge international stages, the activism on which Drag is built and of course, the absolute campery of it all. These interviews are about those who have innovated drag over decades; changing and developing the art form and Queer protest through their work.

As more and more people welcome drag into their homes (UK Drag Race racked up 12 million views for season one, even more for season two and the third season  currently under way) Alfie will use the first series of Living Legends to begin to tell Britain’s rich herstory of Drag with seven of the art form’s pioneers. With RuPaul’s Drag Race failing to cast a truly diverse range of drag in terms of age, race, gender and drag style, Living Legends hopes to highlight the some of the pioneers of British Drag, with each guest bringing their own unique and inspiring story to the table.  

Alfie showcases the huge variety found within the British drag scene that makes it such an exciting and vital queer space, inviting audiences in to the full spectrum of wonderful campery in the artform. Fun, fabulous and 100% drag – think Parkinson meets Ru Paul’s Drag Race. 

Drag Prince Alfie Ordinary, Son-of-a-Drag-Queen, has toured the UK and further afield with many of the UK and USA’s best known drag performers. His debut solo show Help! I Think I Might Be Fabulous won multiple awards at Adelaide Fringe, San Diego Fringe, and Brighton Fringe.

Alfie commented: “I’m so excited for this show! The guests I’m interviewing have all achieved a great level of success in their drag careers, and an incredible longevity.  Some of the artists I’m talking to have been doing drag longer than I have been alive! And they are all STILL working drag artists! I can’t wait to sit down and talk with these incredible people about the ever-changing landscape of drag, from television and film appearances, to Section 28, gay marriage and RuPaul’s Drag Race.” 

Filming took place at Brighton Pride’s new state of the art Ironworks Studios, with seven of the UK’s most respected and treasured acts sharing their incredible drag stories. Audiences will hear about the way one queen uses their platform for powerful activism, having spearheaded the biggest vigil for the Pulse Orlando shootings in Soho, and organising a viral video campaign during the Black Lives Matter movement last summer. One artist speaks about drag and spirituality, while another talks about how their time in the army and their work as a dominatrix plays a part in their drag. 

We hear about the importance of inclusivity within the LGBTQ+ scene from a leading Drag King and we hear about how the portrayal of queer people in the media has changed in the last 40 years and what that has done to and for our community.  We learn how one queen started drag in the mid 70s, just 10 years after the Sexual Offenses Act in 1967 and how they have witnessed 45 years of social change and developments in our human rights over their career. 

The interviews are candid, friendly and informative, telling a diverse and fascinating story about the rich history of UK drag through the words of Living Legends themselves.  

  • Le Gateau Chocolat, a British-Nigerian Brighton based queen, is known for work spanning drag, cabaret, opera, musical theatre, children’s theatre and live art. They run a hugely successful Arts Council England funded theatre company and have toured internationally, winning awards the world over. 
     
  • David Hoyle, born and based in Blackpool, is an avant-garde performance artist, film-maker, drag artist, comedian and singer who has repeatedly spoken out about ‘mainstream’ gay culture and the absent  tolerance for homophobia in society and leadership. Under his stage persona he became a household name in the 90s for his Channel 4 arts show The Divine David Presents. 
     
  • Son of a Tutu is a Drag Queen and Activist of British Nigerian heritage, they perform as a Nigerian Drag Queen – a statement to the dangerous homophobic ideology of Nigerian leadership and culture. Notably, they were instrumental in organising the Pulse Nightclub Vigil in Soho London in May 2016. 
     
  • Adam All has over a decade of experience on the Drag scene, hosting a residency at SHE in Soho. Adam is a singer and leading voice on the Drag King scene.  
     
  • Lola Lasagne is a British Queen with three decades of performance, they are an activist and performer with huge awareness of the progressive nature of a really buoyant queer scene. 
     
  • Film and TV star Dave Lynn is well known for their appearance in the iconic 00s series ‘Faking It’ in which he mentored Spence Bowdler, an ex-naval officer, in their transformation to Drag Queen. Lynn has four decades of drag and stage experience to speak to.
     
  • Cabaret doyenne Holestar is an award-winning artist, belting vocalist, DJ and more who uses music and performance to blur the boundaries between gender; the avant-garde and mass entertainment; and pop culture and the underground. 

Living Legends hopes to entertain and inspire drag fans, and document and treasure some of the rich and fruitful history of UK drag. Drag is a political statement, it is both armour and rage rooted in a community which has seen so much hatred and hurt – yet survives and thrives – and always with a nod to the mad, the silly and to anarchy in queer culture. As Queer culture of the last 40 – 50 years storms the ‘mainstream’, from Rebel Dykes, to the huge global audience for Drag Race and Channel 4’s prime-time positioning of It’s A Sin, these conversations will speak directly with the performers, the people behind them, and those perfomers who haven’t yet been given the mainstream spotlight, who have shaped British Drag and Queer British expression. What is the full story? Let’s Drag It Out. 

Alfie Ordinary’s Living Legends will launch its first episode on 15 November. Each episode will be uploaded weekly onto the Living Legends YouTube channel. For more information, visit https://www.alfieordinary.com.

Living Legends is supported by Arts Council England with thanks also to Brighton Pride.

Ends.

Filed Under: Current Projects Tagged With: Drag, Press Release, YouTube

Sonic theatre podcast Soundworlds returns with a season of brand-new immersive audio experiences

25 October 2021 by Emma Ainley Walker

Sonic theatre makers Soundworlds have today announced a new season of their podcast offering listeners an immersive audio experience combining theatre, poetry and music. Far more than radio plays with music, Soundworlds projects are created by musicians, writers, theatre makers and artists who blend together music and storytelling, sound design, documentary and fiction to give listeners a true escape from the everyday.

From November 2021 to April 2022, Soundworlds will release a new episode fortnightly, on the first and third Thursday of each month. Each episode is its own, unique world: a piece of theatre for your ears, that can be enjoyed anywhere, any time. The eclectic mix of episodes has been created in collaboration with acclaimed international artists, each with their own story to tell, in extraordinary ways. 

Join us for a Christmas party like no other, share some classic children’s books in new ways, and explore issues of our time from sex work to universal childcare, all without leaving your house, or staring at a screen.

Artists featured this season include: Canadian theatre group Quote Unquote Collective; Erased Tapes’ Douglas Dare; award-winning librettist and playwright Stephanie Fleischmann and Pulitzer Prize finalist composer Christopher Cerrone; French electronic musician Aho Ssan aka Désiré Niamké, collaborating with Emptyset member James Ginzburg; acclaimed theatre maker Joana Nastari; adaptations of children’s books Town is by the Sea and Birdsong; as well as new commissions from artists Aminita Francis (BAC Beatbox Academy’s Frankenstein), Travis Alabanza (Burgerz) — who will both be matched up with musicians — and Verity Standen, who will each create new, immersive audio pieces, directed by Soundworlds’ own Patrick Eakin Young.

Patrick Eakin Young, director of Soundworlds, said: “Podcasts have become one of this century’s quintessential new forms of media, yet the creative and expressive potential of the form is still being tested. I think of Soundworlds as a sonic stage on which to present some of the boldest innovations in audio storytelling: a space for musicians, theatre-makers, writers and sound designers to explore, experiment with, and expand upon the familiar podcast formula.”

Soundworlds is directed by Patrick Eakin Young and produced by Eleanor Turney and George Warren. Artwork for Season Two is provided by illustrator Sydney Smith. All episodes are free to listen to on Spotify, iTunes and other podcast platforms, or on the Soundworlds website.

Season Two will open this November with two episodes that reimagine existing albums as narrative pieces, Liminal Highway and Simulacrum. On Thursday 4 November, librettist and playwright Stephanie Fleischmann adapts Christopher Cerrone and Tim Munro’s Liminal Highway, an album for solo flute, inspired by John K. Samson’s poem of the same name. Fleischmann’s overlaid narrative tells the story of a woman chasing down a mysterious double through an urban dreamscape. Later that month, Simulacrum, from French Ghanaian musician Aho Ssan, is reimagined by James Ginzburg as the story of a boy trapped in his own apartment in a near-future society, stratified into a very strict class system, cut off from music and the outside world. It blurs the lines of reality, asking what and who is real? 

One very special episode in December sees us invited to Douglas Dare’s Christmas Party. Listeners will be sonically guided through the festive party you wish you were invited to, eavesdropping on conversations between artists and radical queers, drag queens and East London scenesters, soundtracked by Dare’s rearranged carols.

The New Year will see a series of episodes working with and inspired by incredible Canadian artists. On Thursday 6 January, feminist powerhouses and multi-disciplinary performance company Quote Unquote Collective look at universal childcare as Canada comes out with one of the most comprehensive childcare laws in the world following the pandemic. Based on verbatim interviews with parents about childcare. 

From January 20 our mini-series of Canadian children’s novels will begin, with an audio adaptation of Birdsong. Written by Cree-Métis author and illustrator Julie Flett, it is a subtle, sensitive story of intergenerational friendship, growth and loss. It is soundtracked by K.K. Rose-El (aka Kris Harper) of Polaris Prize-nominated nȇhiyawak, which translates to Cree People, People of the Plains or Free People. Releasing on Thursday 3 February is an adaptation of Town is by the Sea, written by Joanne Schwartz and illustrated by Sydney Smith. It follows a young boy throughout his day spent by the sea, all the while thinking of his father digging for coal deep underground, creating beautiful contrast between the two worlds. Soundworlds uses its immersive audio experience to perfectly capture in sound the beautiful visuals found in each story. 

From Thursday 17 February, Joana Nastari’s award-winning debut play Fuck You Pay Me will be turned into a soundworld. A love letter to strippers, the episode will feature special guests from the community and a live score of Brazilian music. It is a play by strippers, for strippers and about strippers, a celebration that will be captured in Soundworlds’ impeccable audio.

Season 2 will wrap up with another mini-series which sees three new sonic theatre commissions created by Black, female, and nonbinary theatre artists, released throughout March and April. Bristol’s Verity Standen taps into the power of ASMR. Emerging artist Aminita Francis, a break-out member of Battersea Arts Centre’s Beatbox Academy, creates a Bo Burnham-like piece about the isolation of lockdown using only her voice and a looper. And British performance artist, writer and theatre maker Travis Alabanza teams up with Canadian (Polaris Prize-nominated) musicians Bonjay, to create a dancehall inflected fantasy as four trans friends head out into the streets of London together. 

You can also listen back to Season One shows, including adaptations of four Raymond Carver short stories from What We Talk About When We Talk About Love, and a piece based on Courtney Angela Brkic’s The Stone Fields, her memoir of joining a UN forensics team helping to excavate the mass graves at Srebrenica in Bosnia. 

ENDS

Filed Under: Current Projects, PR Tagged With: asmr, audio, immersive, Podcast, Press Release, Theatre

Positive Stories for Negative Times – the national participatory project gifting free plays and resources to young people across the world returns for a second season

27 September 2021 by Emma Ainley Walker

Open to schools, colleges, youth theatres or anyone working with young people.
Sign ups open now at positivestories.scot

Positive Stories for Negative Times created by Wonder Fools in association with Traverse Theatre is back with an incredible lineup of the UK’s most exciting voices. Seven brand new plays, written specifically for the times we are living in, will be made free and available to young people from September 6 through to March 2022, with groups from anywhere in the world being encouraged to join in. 

Working with those from isolated areas, marginalised groups and vulnerable young people, Positive Stories for Negative Times is providing a new outlet to nurture creativity, encourage the exchange of new skills and ideas and provide a safe space online that could have a genuine impact on young people’s experience of the world as they recover from the effects a global pandemic has had on their education, their connections and the world around them as a whole. 

The first season – launched in August 2020 as part of the digital Traverse Festival Programme – was created as a direct response to the lack of physical spaces for young people to participate in performance, and the detrimental impact this is having on their mental health and wellbeing. A staggering 2,607 young people and 282 groups spanning from the Outer Hebrides to Madrid, and York to Quebec performed the first season’s plays, which ended last month – making way for a new raft of artists and groups to get involved from this summer onwards. 

Season Two, aimed at engaging an even broader network of people aged between 6 and 25 has been created with a focus on coming together, embarking on new processes and changing the way we think about theatre for young people. Wonder Fools and the Traverse Theatre have again co-commissioned a new group of the UK’s most prominent artists to create new work relevant to the here and now, which will act as stimulus for creative projects for young people around the world. 

As students in Scotland and across the UK return to schools, colleges and universities, 948 young people have already registered since the initial announcement was made back in June. 

On the projects return, Wonder Fools said: “Being able to engage so many young people around the world through Season 1 was an utter joy, but the project has been designed with the aim of responding to the current times we are living in no matter whether young people are in or out of the classroom. Theatre provides huge benefits to children in all creative environments. Season 2 has been designed to help bring young people back into that physical space to explore their creativity, as well as adapting to the ways education has been changed throughout the pandemic and how young people are recovering from that, reembracing their creativity, communication and connection with others. 

“This season we have opened up the project to invite submissions from all kinds of groups across different art forms allowing young people to flex their creative muscles and celebrate the process of what they make. That may be performance, film, creative writing, blogs – you name it. We have also responded to the needs of youth group leaders and incorporated a programme of free professional development into the programme for them to engage with remotely throughout the project, learn new skills and share best practice. We can’t wait to meet groups from around the world and to see what they come up with.”

All participating groups will be sent their chosen script to perform rights free and a handbook of exercises to help their group explore the play. No set outcome or end result has been defined, it’s all about celebrating creativity inspired by the plays and sharing what is made. Groups have the freedom to create anything they want: a piece of music, a film, creative writing, poetry, outdoor work – there are no limitations. For those brand new to performance, the handbook provides a step-by-step guide through the process. The plays are a starting point created to inspire different kinds of work. These can live either live in the space, through blended learning or completely online.

Works include: 

Spyrates (Spies vs Pirates) 2: Journey to the Forbidden Island by Robbie Gordon and Jack Nurse (6+) – From the Co-Founders of Wonder Fools, comes Spyrates, a play for up to 100 6+ year olds.  Featuring spies, pirates, robots, talking animals and everything in between, in an interactive, playful and imaginative adventure story. 

At First I Was Afraid (I Was Petrified!) by Douglas Maxwell (11+) – When things feel too tough moving up into a new school, to manage her anxiety, Cleo starts to get creative in an old Descendants’ diary – her worry book – but everything she writes starts to come true, so she tries writing down positive ideas…. A fast-paced comedy drama with loads of bright characters, big set pieces, twists and turns and a huge sing-a-long happy ending… oh, and a mad bit with a Fairy Godperson.

The Raven by Hannah Lavery (11+) – Lament to Sheku Bayoh writer and director Hannah Lavery’s The Raven is both an adventure and an exploration of what shapes and what divides us, exploring issues of blended families, bullying, depression and isolation.

Thanks for Nothing by The PappyShow (11+) – Celebrating life’s quiet moments of gratitude and joy, Thanks for Nothing will be a blueprint for a show encouraging loads of devising and playing with narrative and form from the playful, physical and visual ensemble that is The PappyShow, created in collaboration with award-winning playwright Lewis Hetherington. 

Revolting by Bryony Kimmings (13+) – Multi-Award winning playwright, performer, documentary maker and screenwriter Bryony Kimmings’ Climate Crisis play Revolting asks, if we’re agents of the revolution – how do we revolt? This ‘paint-by-numbers’ play will put the control firmly in the hands of the creators – let’s imagine a new system (there may be flying cars and free money and loads of dancing and pizza parties) but also positive solutions to climate change. 

The Skirt by Ellen Bannerman (15+) – Traverse Young Writer Ellen Bannerman’s The Skirt is an absurdist parable for the next generation of feminists, based on Gogol’s short story: ‘The Nose’. Wearing a short skirt to school on the day of the Head Girl election should be an irrelevant outfit choice – but when Kay is sexually harassed on her way to school, she pulls out of the race, but her short skirt has other ideas and much like Gogol’s The Nose, enters the race for Head Girl in its own right. 

Write to Rave: Step Pon by Debris Stevenson (18+) – Grime poet, dyslexic writer and working-class academic Debris Stevenson presents Write to Rave: Step Pon – a play about the political power of rave. Who has the right to rave, to dance and move freely? What is it to feel truly free in their own skin? It tells the story a queer group of humans trying their best to rave whilst the world tries its best to stop them.

Each writer has been working with the newly established Positive Stories Youth Board to ensure that the plays are not only made for young people, but with them too, the aim to create something for everyone no matter their size, age or experience of making theatre. 

As part of the project, participating group leaders will have access to regular online workshops with the seven artists and the Wonder Fools team to build on ideas, provide some pointers on best practice and allow for sharing and discussion between groups and their projects.

Wonder Fools are inviting any teachers, groups or organisations working with young people to get involved and utilise the free resources. Participating groups  will be given a pin on a virtual map and page on the project’s bespoke website where their work will be celebrated with other participants around the UK and beyond. 

To sign up or to find out more visit positivestories.scot.

Positive Stories for Negative Times Season 2 is produced by Wonder Fools in association with the Traverse Theatre and is supported by Creative Scotland, Chance to Succeed, Foundation Scotland Response Recovery & Resilience Fund, William Syson Foundation, Gannoch Trust, Christina Mary Hendrie Trust, Hugh Fraser Foundation, Gordon Fraser Charitable Trust and the Inchyre Trust. 

Ends.

Filed Under: Current Projects, Theatre Tagged With: Edinburgh, Theatre, youth theatre

CITY BREAKZ

19 July 2021 by Emma Ainley Walker

Scottish Summer Tour 
16 July – 14 August

It’s hip-hop…but not as you know it.

Edinburgh performance company Room 2 Manoeuvre set off on a national tour of Scotland from 16 July with City Breakz: a dance based commentary on space, place and identity. The tour begins at Platform Glasgow before taking in outdoor locations across Glasgow, St Andrews, Falkirk and Edinburgh and more. 

Created by Edinburgh based performance company, Room 2 Manoeuvre led by Artistic Director Tony Mills and in collaboration with the dancers, the show’s bold and striking juxtaposition of dance and environment asks, where and how do we make room for art and culture to exist, to inspire and to be accessible in a changing city landscape? The City Breakz dancers re-imagine city spaces, change the perception of urban environments and bring dance closer to communities. 

City Breakz is an outdoor hip hop dance show featuring four dancers that takes the classic scenario of the hip hop throw down and re-positions it in unusual city locations and common urban structures. Anything can become a dancefloor – a bench, a set of steps, part of a wall – as the dancers negotiate the challenges of uneven surfaces, angles and gradients of cities and towns across the country.

Each performer armed with a patch of linoleum and a sound system – will spring up in unexpected locations for a series of solo roaming performances before coming together at a central outdoor location for one big performance.  

Blending hip hop, physical theatre and contemporary dance, backed by music and sound design from The Reverse Engineer (AKA Dave House), City Breakz will seek to bring the true spirit of hip hop to audiences across the country in a wholly unique performance, providing some of the year’s first live entertainment experiences in a relaxed outdoor environment. 

On bringing City Breakz to audiences, Tony Mills said: “I consider hip hop to be an original form of site-specific dance that responds to place and society. I myself have gone through those times of carrying my lino and boombox around the town trying to find somewhere to dance. I found spaces, buildings or venues where I and others were given room and encouragement to do our thing. But many of those spaces closed or were transformed. City Breakz is about that journey of trying to find those spaces in your home town where you fit in, where you can develop a sense of belonging and carve out your identity. 

“In the rapid urbanisation of towns and cities it feels almost as if culture is being squeezed out to the periphery. So, I want to bring it back to the concrete streets, using an image that, beneath the surface, reveals something inherently important to all of us.”

City Breakz opens at Platform Glasgow on Friday 16 July with more tour dates to be announced. For details visit r-2-m.net. 

Room 2 Manoeuvre is funded by Creative Scotland Touring Fund for Theatre and Dance and supported by: The Workroom, Merchant City Festival, The Brunton, Summerhall and Tramway Residency Programme.

Filed Under: Current Projects, Theatre

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